咏史诗与文艺世俗化的潮流——从另一个角度看郑思肖的《一百二十图诗集》  

Historical Poems and Its Trend of Secularization: from another perspective of the Collection of One Hundred and Twenty Poems

作　　者：吴德岗[1] 

机构地区：[1]南京信息工程大学,南京210044

出　　处：《阅江学刊》2015年第3期131-140,共10页Yuejiang Academic Journal

摘　　要：郑思肖《一百二十图诗集》的题材指向和主题意蕴,以及作品中表现出来的故事性和戏剧性,与宋、元通俗文艺有许多共同点和一致性,表明在宋末元初新的时代背景和文化环境下,世俗化倾向广泛地存在于各门类艺术中,诗歌、绘画、戏曲等各种艺术形式一道,共同汇成了通俗文艺蓬勃发展的时代潮流。The theme and meaning as well as its storytelling and dramatic features of the collection of one hundred and twenty poetry written by ZHENG Si-xiao have many similarities with the popular literature and art in the Song and Yuan Dynasty. It indicates that under the background of the times and the culture environment in the late Song Dynasty and the early Yuan Dynasty, the tendency of secularization widely exists in all kinds of arts. The development of poetry, painting, opera and other forms of arts contributes to the prosperity of popular literature and art, which becomes the trend of times.

关 键 词：郑思肖 一百二图诗集 咏史诗 世俗化 

分 类 号：I207.22[文学—中国文学]