从父女到夫妻:《单身汉》的伦理身份与悲剧特性  

From Father and Daughter to the Couple:Ethical Identity and Tragic Characteristics of The Bachelor

作　　者：许玉翠 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《信阳农林学院学报》2015年第2期77-79,共3页Journal of Xinyang Agriculture and Forestry University

摘　　要：屠格涅夫的社会风俗喜剧《单身汉》通过设置人物伦理身份的问题,试图从一个更高的层面再现俄国19世纪三四十年代农奴制时期底层社会中小人物所面临的伦理身份问题与生存的困境。本文集中分析玛莎和莫什金伦理身份转变的原因、经过及其影响,并进一步挖掘屠格涅夫喜剧中的悲剧因素,以及这种悲喜交融的戏剧风格对契诃夫戏剧创作的影响,对19世纪现实主义戏剧理论的推动作用。Turgenev＆#39; s social custom comedy The Bachelor, by setting up the ethnical identity problems, is trying, at a higher level, to reappear the survival predicament and the ethnical identity problems the underclass nobodies were facing under Russian serfdom system in the period of 1930s and 1940s.In analyzing the reasons for the dramatic change of the ethnical identity between Martha and Mosh-kim, the sequence of the events, and its influence, this article has excavated the tragic elements which interweaved in this comedy, pointed out such drama style＆#39; s effect on Chekhove＆#39; s drama writing and its promoting action on the theory of the nineteenth century re-alistic drama.

关 键 词：《单身汉》 伦理身份 悲剧特性 

分 类 号：I106.4[文学—世界文学]