朗费罗在中国的流传与本土化形象建构  

On Longfellow's Localization Image's Construction in Chinese Confucianism

作　　者：柳士军[1] 

机构地区：[1]信阳师范学院外语部,河南信阳464000

出　　处：《盐城师范学院学报（人文社会科学版）》2015年第4期106-110,共5页Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)

基　　金：教育部人文社会科学研究规划基金项目"世界文学重构与中国话语创建"(12YJA751011)

摘　　要：在形象学的视野中,我们审视朗费罗作为一个文化形象在中国的介绍与接受,考察汉语文化系统中的意识形态对朗费罗形象构建的操纵,分析百年来国内五个版本的美国文学史中朗费罗的相关书写以及中国作家对朗费罗的想象。朗费罗的个人修养和诗歌创作具备中国传统文化中的"五德十美"质素,其作为"君子"的文化形象才能够在中国流布,而这种本土化形象的建构是中国学者的儒家思想同化外来文化影响的结果。This essay examines Longfellow can be translated and accepted as a cultural image under the perspective of imagology, and we finds out how Chinese culture manipulate. The paper traces the domestic popular versions of history of literature, and analyzes the imagination of Chinese writers.Longfellow and his works are provided with the Chinese cultural tradition, He as a ＂Jun zi＂ image in Chinese culture can be accepted. This localization image is the foreign cultural utopian imagination in the construction of Chinese Confucianism.

关 键 词：形象学 朗费罗 君子 儒家思想 文化形象 

分 类 号：I106.2[文学—世界文学]