从“无常之恸”到“人间佛教”:丰子恺佛教思想初探  

From “Deep Sorrow on Impermanence”to“Mundane Buddhism”:An Analysis of Feng Zikai's Buddhist Thoughts

作　　者：蒋霞[1] 杨晓河[2] 

机构地区：[1]重庆交通大学人文学院,重庆400074 [2]西南大学文学院,重庆400715

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2015年第4期116-121,共6页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

基　　金：2014年度教育部人文社会科学研究青年基金项目"丰子恺美学思想及对当代美学建构的启示"(14YJC751015)的研究成果

摘　　要：在中国现代文学艺术史上,丰子恺最大的特点在于他的人生与艺术均充满了佛教意味。他从对时空的哲思开启人生之问,从对无常的体悟接近佛教之门,从对无常的参悟走向"人间佛教"。丰子恺的佛教思想的内涵是:以现实人生为基点,以人的清净心为基础,把佛教的精神运用于世间,通过大乘菩萨道的修持完善人格进而建立和平、仁爱的人间净土。In Chinese modern history of literature and art, Feng Zikai is characterized by the feature that his life and art are full of the Buddhist implications. He started his asking about life by philosophical thinking on time and space. He approached the gate of Buddhism from his thinking on impermanence. He devoted himself to mundane Buddhism from his reflection on impermanence. The connotations of his Buddhist thoughts rest on the basis of realistic life and lustration heart and aims to apply the spirit of Buddhism in human life to perfect humanity in the hope of establishing a peaceful and kindhearted pure land on earth through the spiritual training of Mahayana Bodhisattva

关 键 词：丰子恺 人间佛教 对时空的哲思 对无常的参悟 

分 类 号：B94[哲学宗教—宗教学]