论新文学现代性追求中的“西方”与“传统”  

About the Western and the Tradition in Chasing the Modernity of New Literature

作　　者：宋剑华[1] 

机构地区：[1]暨南大学中文系

出　　处：《学术研究》2015年第8期133-143,160,共11页Academic Research

基　　金：国家社科基金后期资助项目"‘娜拉现象’的中国言说"(13FZW044)的阶段性成果

摘　　要：五四以来,新文学所倡导的思想启蒙,曾以狂热的时代情绪,造成了"西方"与"传统"的截然对立。它只是一味地以想象中的"西方",去猛烈攻击概念化的"传统",殊不知其所有的西学阐释,都无法摆脱汉语思维的认知框架。故新文学以"西方"去反"传统",到头来却变成了以"传统"去反"传统",最终使新文学的创作理念和创作实践都陷入到一种十分尴尬的历史局面。After the Movement of May 4th, 1919, the enlightenment promoted by the new literature, with a crazy emotion of the time, caused an opposite between the Western and the Chinese tradition. It stubbornly attacked fiercely the conceptualized tradition by the Western in an imagination, but those people actually did not know all their explanation of the Western knowledge can not shake off the thinking and cognition fame in Chinese language. So, it lead the new literature to an embarrassed historical situation in creational concept and practice.

关 键 词：新文学 现代性 西方 传统 

分 类 号：I206.6[文学—中国文学]