梅州木偶戏“傀儡腔”的音乐特性  

Musical Character Based on Puppet Tone of Meizhou Puppet Theatre

作　　者：叶惠薇[1] 

机构地区：[1]嘉应学院音乐学院,广东梅州514015

出　　处：《嘉应学院学报》2015年第6期21-23,共3页Journal of Jiaying University

基　　金：广东省普通高校人文社会科学省市共建重点研究基地招标课题(14KYKT13)

摘　　要：梅州木偶戏"傀儡腔",是一种特殊唱腔艺术,由民国时期木偶艺术家谢发在吸取民间小调精髓的基础上发展创造出来,主要包括"猜调"与"拆字歌",曲调幽默风趣,独具韵味。研究"傀儡腔"的词曲特点,分析它体现出兼容性、教育性、地域性的艺术特征,进而揭示"傀儡腔"在形态与发展趋势上与客家文化内涵紧密相关。Meizhou puppet theatre ＂puppet tone＂,is a special vocal arts,which was created in the period of Republic of China Xie Fa absorbing folk tune based on the essence of development,including the ＂guess the tune＂ and ＂ split word＂ song,melody,humorous,unique flavor.Study on the ＂ puppet cavity＂ features the lyrics and the analysis shows compatibility,education,regional arts features,and then reveals the ＂puppet tone＂ and Hakka culture in morphology and development trends.

关 键 词：梅州木偶戏 傀儡腔 猜调 拆字歌 

分 类 号：J639[艺术—音乐]