《杜十娘怒沉百宝箱》悲剧的空间话语解读——兼与《卖油郎独占花魁》对比  

An Interpretation of Tragic Space Discourse ofthe Novel DU Shi-niang's Throwing Her Treasure Chest into Water in Anger:A Comparison with Oil Selling Guy Winning the High-rank Courtesan

作　　者：王晓东[1] 

机构地区：[1]广东金融学院财经传媒系,广东广州510521

出　　处：《内江师范学院学报》2015年第9期5-9,共5页Journal of Neijiang Normal University

基　　金：广东金融学院文艺学重点学科阶段性成果

摘　　要：《杜十娘怒沉百宝箱》的故事主要在空间维度而非时间维度上展开,"教坊司"与"江上"两个显性空间依次叙述了杜十娘的爱情婚姻追求与悲剧。通过空间解读,可以见出悲剧的高潮为何发生于"即将渡江"之际,亦可见出冯梦龙对原型故事《负情侬传》的艺术改造。两个隐形空间:权宜之计的"山水胜地"与理想的终归"宦家"体现了悲剧的社会必然性。这与"三言"中重在时间叙事的《卖油郎独占花魁》有着明显的不同。The story of DU Shi-niang＇ s Throwing Her Treasure Chest into Water in Anger is developed in spatial di- mensionality in stead of temporal one. The two kinds of overt space ＂in Jiaofang Department＂ and ＂on the river＂ are the two places in which DU＇s pursuit for love and marriage and her tragedy took place. Through the interpretation of space, we can find why the tragedy occurs when she is to cross the river. This shows FENG Meng-long＇s artistic adaptation of the prototype story A Biography of Unworthy Lover. The two kinds of covert space -- the temporary landscape and official＇s home as the returning place -- show the social inevitability of the tragedy. This is clearly different from Oil Selling Guy Winning the High-rank Courtesan of ＂Three Words＂ works which stress the temporal narration.

关 键 词：《杜十娘怒沉百宝箱》 悲剧 空间话语 冯梦龙 《卖油郎独占花魁》 

分 类 号：I207.41[文学—中国文学]