《诗歌》潜文本:画面·仿真·“布里斯托板”  

Subtext of “Poem”:Painting,Simulation,“Bristol Board”

作　　者：李嘉娜[1] 

机构地区：[1]福建师范大学外语学院

出　　处：《国外文学》2015年第3期79-88,158,共10页Foreign Literatures

摘　　要：《诗歌》一诗是毕晓普61岁时的创作,通常认为这是一首关于历史与现代、艺术与生活、诗歌与绘画之间关系或家族关系的诗歌。笔者通过潜文本发现《诗歌》文本与潜文本之间存在裂痕,进一步发现这是一首关于毕晓普诗歌创作艺术观的重要诗篇。毕晓普用诗歌形式阐述其艺术美学观如下:1.诗歌再现画面层次和细节;2.诗歌高仿个人经验,但二者不可等同;3.打造诗歌形式的"布里斯托板"。这些为我们深入理解毕晓普诗歌创作艺术观提供了不可替代的第一手资料。'Poem'was written by Bishop when she was 61. It has been regarded as about the relationships of history vs. present,art vs. life,painting vs. poetry or about family relationship,etc. After decoded it is rediscovered that 'Poem ' cracks between text and subtext. 'Poem ' is actually an elaboration of Bishop's aesthetics of creation: Poetry seeks after dimensions of painting and tangible details; Poetry simulates reality but is not identical to it; Poetic form must be a 'Bristol board'. These ideas provide us with the valuable first-hand data to access the artistry of Bishop's poetry.

关 键 词：诗歌 画面 仿真 “布里斯托板” 

分 类 号：I712.072[文学—其他各国文学]