浅谈“锔瓷”传统工艺及其发展趋势  

Status Quo and Future Tendencies of Reparation with Cramps for Porcelain

作　　者：黄修林[1] 黄思洁[1] 欧阳小胜[1] 

机构地区：[1]华南理工大学设计学院,广东广州510006

出　　处：《陶瓷学报》2015年第4期434-436,共3页Journal of Ceramics

基　　金：2015年广州市哲学社会科学发展“十二五”规划课题

摘　　要：随着非物质文化遗产的概念深入人心,民间传统工艺开始受到人们的重视,但在社会转型状态下,民间传统工艺在现代经济文化的高速发展与传统文化传承的狭缝间生存,既需要保留手工艺的本质,又需适应现代艺术设计的审美理念。本文以"锔瓷"传统工艺为例,分析"锔瓷工艺"在古玩行、收藏界的发展状态与趋势,从而对民间传统工艺的发展方向进行思考。Traditional folk crafts begin to call public attention with the prevalence of the concept of intangible cultural heritage. However, a traditional craft has hard time surviving in the context of social transformation which sees the conflict between the aspirations for rapid development of economy and culture and the needs for heritage transmission. Its preservation calls for innovations based on the maintenance of its essence and the fulfillment of modem aesthetic criteria. This paper describes the status quo of the reparation with cramps for porcelain curios and antiquities and predicts the future tendencies of this technique.

关 键 词：民间传统工艺 “锔瓷”工艺 现代化审美 禅意风格 王老邪 

分 类 号：TQ174.6[化学工程—陶瓷工业]