色彩意象的转换与和平主题的升华——评冯小宁“战争三部曲”  

Color Imagery Conversion and Peace Theme Sublimation——Review of Feng Xiao Ning's “War Trilogy”

作　　者：宋碧云[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710100

出　　处：《河西学院学报》2015年第4期81-86,共6页Journal of Hexi University

摘　　要："战争与和平"是艺术永恒的主题。冯小宁的"战争三部曲"既充满了激情与浪漫,又具有高度的责任与忧患,不管是从思想内容上,还是从影视效果上,都可称为难得的佳作。冯小宁战争影片通过鲜明的意象、唯美的画面和完整的故事情节,表现了中华民族及同盟者同仇敌忾抗击侵略者的故事内容,表现了各族人民忠贞团结、顽强不屈的民族精神。本文以冯小宁"战争三部曲"为例,对其战争影片中色彩意象及和平主题的升华进行深入地探讨。＂War and Peace＂ is the eternal theme of art; Feng Xiaoning＇ s ＂War Trilogy＂ is not only full of passion and romance, but also has high degree of responsibility and worry. No matter it is from the ideological content or from the film effects,it can be called excellent work. Feng Xiaoning＇ s war films, through vivid imagery, beautiful picture and a complete story, show the process of the Chinese nation and our allies to fight against the common enemy invaders, and represent the people of all nationalities＇ loyalty, solidarity, indomitable national spirit. So taking Feng Xiaoning＇ s ＂War Trilogy＂ for instance, this paper deeply explores its color imagery conversion and the sublimation of peace theme.

关 键 词：色彩 意象 战争 和平 

分 类 号：I207.351[文学—中国文学]