突破与创新——浅谈洮砚《吉祥如意砚》的设计与雕刻  

Breakthrough and Innovation——Analysis of the Design and Carving Methods of Tao Inkstone Good Fortune as One Wishes Inkstone

作　　者：曾鹏德[1] 

机构地区：[1]兰州城市学院美术学院

出　　处：《雕塑》2015年第3期66-67,共2页Sculpture

摘　　要：洮砚,作为中国四大名砚之一,被当代社会文化阶层赋予了更多的文化寓意与艺术诉求。不仅成为艺术家施展才艺的重要载体,也成为艺术市场艺术品收藏的一个重要文化组成之一。笔者经多年的潜心研究学习,在洮砚创作方面做出了一定的探索性突破,力图在洮砚制作过程中,将平面构成的设计思想与书画的构图理念、砚雕的记忆技巧、石头的材质肌理巧妙结合,以期在创作手法上达到对传统的继承与突破。As one of four famous inkstones in China, Tao inkstone contains more cultural interpretations and artistic value that endowed by contemporary social culture class, it had already become the significant carriers for artists to express their abilities, and it can be regarded as the significant cultural element in art collection. After many years of study,the author of this article created the exploratory breakthroughs in the creation of Tao inkstone,in order to make a combination of design conceptions, compositional notions, techniques, material texture of stone during the process of creation, finally, to inherit as well as innovate the traditional techniques in terms of inkstone creation.

关 键 词：洮砚 平面构成 砚雕技艺 方圆文化 

分 类 号：K875.4[历史地理—考古学及博物馆学]