作为符号的“契诃夫”及其在当代俄罗斯剧院中的表现形式  

“Chekhov” as a Sign and his Manifestations in Contemporary Russian Theaters

作　　者：唐可欣[1] 

机构地区：[1]南京大学文学院

出　　处：《戏剧（中央戏剧学院学报）》2015年第4期16-25,共10页Drama:The Journal of the Central Academy of Drama

基　　金：国家留学基金资助项目"中国教育部-莫斯科大学项目"(项目编号:201404480039)的阶段性成果

摘　　要："契诃夫"作为一个文化符号在当代俄罗斯剧院中表现出了独特的意义。剧院里上演的不仅有传统的契诃夫剧作,还包括"后契诃夫"戏仿剧、契诃夫的短篇小说改编剧,以及用先锋手法翻排的契诃夫经典剧等一系列和"契诃夫"有所关联的剧目。对于当代俄罗斯剧院来说,"契诃夫"这一符号不仅具有广告效应和超越时空的影响力,同时也具有不断激励当代戏剧工作者对经典作品进行超越的"榜样"作用。Chekhov as a culture sign presents his unique significance in contemporary Russian theaters. In various theaters, not only traditional Chekhov＇s plays have been performed and also some ＂post-Chekhov＂ plays adapted from his short stories, parodies of Chekhov, even some avant-garde reproduction and adaptation of classical Chekhov＇s plays enjoy their popularity in Russian theaters. In fact, for Russian theater, Chekhov＇s name is both a sign for box offices but also for trans-century impacts, and plays as a role model for contemporary theater professionals.

关 键 词：当代俄罗斯 契诃夫 “后契诃夫” 小说改编剧 先锋 符号 

分 类 号：J805[艺术—戏剧戏曲]