经由启蒙走向解放——论奥古斯托·波瓦对布莱希特戏剧理论的阐释与发展  

From Enlightening to Emancipating: Augusto Boal on Brecht

作　　者：赵志勇[1] 

机构地区：[1]中央戏剧学院戏剧文学系

出　　处：《戏剧（中央戏剧学院学报）》2015年第4期26-35,共10页Drama:The Journal of the Central Academy of Drama

基　　金：首都师范大学文化研究院年度研究课题"新工人戏剧:当代民众戏剧领域的新探索"(项目编号:ISC-2015-B-04)的阶段性成果

摘　　要：奥古斯托·波瓦的被压迫者戏剧是当代应用戏剧、民众戏剧的理论源泉。而要深入了解被压迫者戏剧理论,必须考察波瓦对布莱希特戏剧理论的阐释和发展。因为在波瓦看来,布莱希特戏剧理论是无产阶级的启蒙诗学,被压迫者戏剧理论和实践正是从这里出发,走上了追求无产阶级解放的道路。笔者认为这种理论考察有助于我们了解当代的民众戏剧实践。The theater of the oppressed from Augusto Boal is the theoretical source of contemporary applied theater and people＇s theater. For Boal, the theory about the theater of the oppressed is closely connected with his illustration of Bertolt Brecht＇s theories, which are regarded as the enlightening poetics for the proletariat and also guide the theater of the oppressed to the path for the emancipation of the proletariat. The author of the article holds that the investigation of these theories is quite helpful for further studies on contemporary people＇s theater.

关 键 词：奥古斯托·波瓦 布莱希特黑格尔 史诗剧 被压迫者戏剧 民众戏剧 

分 类 号：J802[艺术—戏剧戏曲]