“乐台”考论  

A Textual Researche on Yuetai

作　　者：王琳[1] 延保全[2] 

机构地区：[1]山西师范大学戏剧与影视学院 [2]山西师范大学文学院

出　　处：《戏剧（中央戏剧学院学报）》2015年第4期71-79,共9页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金重点项目"金代文物与金代文学研究"(项目编号:11AZW004)的阶段性成果

摘　　要："乐台"是中国神庙剧场中较早出现的用于戏曲表演的专门性舞台。乐台与露台实乃同类建构的不同名称,然因功能差异而"分饰两角"。乐台只承担露台的"献艺"功能,与神庙中的献殿一起完成祭祀"礼乐"。它是戏曲艺术进入神庙剧场并取得相对独立地位的较早证据,是"神庙独立剧场"形成的风向标。乐台的产生,反映出传统"礼乐"文化对戏曲表演的影响,以及戏曲表演为获得社会生存的合法性与神庙演出的合理性所做的努力。＂YueTai＂ is a specialized arena that appears earlier in the temple theater for drama performance. YueTai and LuTai are different names for the same thing, who paly two roles due to functional differences. YueTai is specifically to undertake its ＂Performances＂ feature to complete sacrificial ceremony with ＂XianDian＂ （for immolation）. It is the earlier evidence that drama performance entered into the temple theater and made a relatively independent status, which means that the sign of ＂independent theater＂ formed in temple. Moreover, the production of ＂YueTai＂ is on behalf of the traditional rituals impact and the efforts made by drama performance to get the legitimacy of social survival and rationality of performance in the temple theater.

关 键 词：乐台 露台 神庙独立剧场 礼乐文化 

分 类 号：J809.2[艺术—戏剧戏曲]