帕斯捷尔纳克的诗学理念与小说创作  

B.Pasternak's Poetic Philosophy and Novel Creation

作　　者：汪介之[1] 

机构地区：[1]南京师范大学文学院

出　　处：《外国文学研究》2015年第4期128-136,共9页Foreign Literature Studies

基　　金：国家社会科学基金项目"诗学视域中的帕斯捷尔纳克小说研究"【项目批号:12BWW024】的阶段性成果

摘　　要：俄罗斯作家鲍里斯·帕斯捷尔纳克高度重视创作主体的情感在作品中的渗透与表达,认为艺术所关注的是"被情感改动的现实";同时,他的历史主义意识又使他确认艺术在历史进程中的作用,肯定艺术面对历史时的特有责任,因此他的创作便体现出一种具有浓厚主观性和抒情特色的现实主义风格。他关于抒情主义与历史主义及其关系的思索,必然引出他关于诗歌与散文及其关系的考量,也必然导致他在这两种体裁之间做出权衡与选择,并使得他逐渐把主要精力投放到散文写作上来,直至最终完成其巅峰之作、长篇小说《日瓦戈医生》。In Russian writer Boris Pasternak＇s works, priority was given to the penetration and expression of creation subject＇s feelings, for Pasternak held that one major concern of art was ＂the reality modified by feelings＂. Meanwhile, his sense of historicism fortified his assertion of the role of art in history, which consequently contributed to a subjective and lyrical style of realism. His reflection on lyricism and historicism, and the connection between them inevitably resulted in his elaboration of poetry and prose, and after his deliberation between the two genres he chose to focus on prose writing till he finished his masterpiece Doctor Zhivago.

关 键 词：俄罗斯文学 帕斯捷尔纳克 诗学 小说 

分 类 号：I512.06[文学—其他各国文学]