论中晚唐绮艳风尚中杜牧冶游七绝之独创性  

On the Originality of Du Mu's Sensual Qijue in Erotic Environment of Middle and Late Tang Dynasty

作　　者：刘青海[1] 

机构地区：[1]上海师范大学人文学院

出　　处：《中国高校社会科学》2015年第5期79-85,156,共7页Social Sciences in Chinese Higher Education Institutions

基　　金：国家社科基金青年项目"晚唐文学变局中的‘温李新声’研究"(12CZW027)阶段性成果

摘　　要：杜牧七绝体冶游诗考其渊源,其所接续的仍然是盛唐文人在诗歌中表现江左风流这一传统,与元白、温李艳诗主要接续梁陈宫体诗的传统有所不同。这也正是杜牧冶游七绝在艺术上能够超出时流而别具旷达风流之韵度的根本原因所在。由此也可解释,为何杜牧自己亦书写艳情,却又借李戡之口对元白艳诗中的"淫言媟语"作出严厉批评。Du Mu's sensual behavior was not only common among his contemporaries, but also closely relat-ed to his admiration for the distinguished life style of the Wei and Jin scholars. The latter deservesour special attention. Distinguishing himself from most other Mid Tang and late Tang poets such asYuan Zhen, Bai Juyi, Wen Tingyun, and Li Shangyin, whose love poetry represented the tradition ofpalace-style poetry in Liang Dynasty and Chen Dynasty, Du Mu connected his style with that of theHigh Tang poets. This is the fundamental reason that Du Mu could go beyond most of his contempo-rary poets and produce the unconventional style with a natural ease. This is also the reason that DuMu severely criticized Yuan Zhen and Bai Juyi's description on sensual pleasure of love while keptwriting the same theme himself.

关 键 词：杜牧 冶游 七绝 东晋风流 绮艳风尚 

分 类 号：I222[文学—中国文学]