现代性与中国画的写生观念  

Modernity and the Concept of Sketch in Chinese Paintings

作　　者：李倍雷[1] 

机构地区：[1]东南大学艺术学院,江苏南京211189

出　　处：《贵州大学学报（艺术版）》2015年第4期58-63,共6页Journal of Guizhou University Art Edition

基　　金：2013年度教育部人文社科基金"基于艺术学理论的中国艺术史学方法研究"(项目编号:13YJA760022)

摘　　要：现代性是具有现代意义并与当下政治、经济、文化特征关联的一个概念。这一概念的内涵是中国画现代性写生观念的史境和基础。发生在当下与之相关的生民、事物、气象和精神,当属中国画的写生对象,因为在他们那里反映出的社会现实状态,现代观念,以及政治、经济和文化气象和精神,都是现代性的主题。建立在传统笔墨中的技术问题,也是一个文化问题和绘画法则问题。石涛的"一画之法,乃自我立",即是对传统笔墨技术和法则的认定,也是对传统笔墨技术和法则的内在超越。个性的彰显,本身就具有现代性的气质特征。关注当下和超越法则的两个维度,正是中国画写生观念走向现代性的路径维度。Modernity is a concept in modern sense related to contemporary politics, economy and cultural characteristics whose connotations are the historical contexts and bases of the modern concept of sketch in Chinese paintings. Anything that occurs in current life and world can be the subjects of the sketch in Chinese paintings as they reflect the social real- ity, modern views and the situations in politics, economy and culture. The skill is also an issue arising from the tradi- tional ink and brushstroke techniques and also an issue of culture and painting rule. The statement by SHI Tao as ＂the rules of painting are established by oneself＂ is an affirmation and also an intrinsic transcendence of the traditional ink and brushwork paintings. The manifestation of individuality itself is a feature of modernity. To emphasize on present and to transcend the rules are exactly two ways to modernity for the concept of sketch in Chinese paintings.

关 键 词：现代性 中国画 写生观念 

分 类 号：J201[艺术—美术]