社会变迁中的评弹书目和开篇研究  

On the Booklist and Introductory Song of Pingtan Ballad Singing During the Social Change

作　　者：申浩[1] 

机构地区：[1]上海师范大学知识与价值研究所,上海200234

出　　处：《江西师范大学学报（哲学社会科学版）》2015年第4期108-115,共8页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：上海师范大学校文科科研项目"社会变迁视域中的苏州评弹开篇研究"(编号:A-0230-14-001045);国家社科重大项目"评弹历史文献资料整理与研究"(编号:14ZDB041)

摘　　要：评弹在传播的区域范围上始终表现出非常鲜明的区域界定,与明清以来比较狭义的"江南"范畴大体相合。从社会变迁的长时段考察,可以发现,评弹所据以演出的评弹书目和开篇的发展,均契合了其所生长的时代环境。这当中,评弹书目和开篇的发展尤以江南中心的变迁为导向,呈现出了鲜明的时代特色。从"苏州书"到"上海书"、再到"文艺轻骑兵",正是江南社会中心变迁的大势影响了评弹书目和开篇的发展方向和特色。Pingtan ballad singing, a common term for Suzhou Pinghua and Suzhou Tanci, character- ized by its story - telling in Suzhou dialect. Sometimes it is generally referred to as storytelling. Ping- tan has always shown a very distinct regional definition, which coincides roughly with ＂Jiangnan＂ category in a narrow sense since the Ming and Qing Dynasties. From a long - time observation of so- cial change,we find that the development of the booklists and introductory song all agreed with the environment of the time. From ＂Suzhou booklist＂ to ＂Shanghai booklist＂, then to the ＂light cavalry of literature and art＂, it is the general trend of the changing Jiangnan social center that affects the di- rection of development and characteristics of the booklists and introductory songs.

关 键 词：评弹书目和开篇 苏州书 上海书 文艺轻骑兵 

分 类 号：K207[历史地理—历史学] J826[历史地理—中国史]