戏剧改编与人道主义嬗变——高尔基《底层》与师陀;柯灵《夜店》之比较  

Drama Adaptation and Humanitarian Changes -- A Comparison between Gorky＇s＂ Bottom＂ and Shi Tuo and Ke Ling＇s＂ Nightclub＂

作　　者：侯敏[1,2] 

机构地区：[1]北京师范大学文学院 [2]鞍山师范学院文学院

出　　处：《励耘学刊》2015年第1期278-291,共14页

摘　　要：1944年,师陀、柯灵改编了高尔基的《底层》,改编后的剧作被命名为《夜店》。《夜店》同样具有人道主义思想,但祛除了原剧人道主义思想中的理性意味,而彰显出更多的感性特质、温情内涵和悲剧色彩。这就使《夜店》中的人道主义情感更为炽烈。本文从视点挪移、角色转换和人性透视三个角度,探析从《底层》到《夜店》改编过程中人道主义的更迭与嬗变。In 1944, Shi Tuo and Ke Ling adapted Gorky＇s＂ Bottom＂ and the adaptation was called＂ Nightclub＂. ＂Nightclub＂ also had a humanitarian thought, but removed the rational meaning of the humanitarian thoughts in the original play, and reflected more perceptual characteristics, warmth and tragic connotation. Therefore, it made the humanitarian feelings in the＂ Nightclub＂ more blazing. From the angles of diversion, role - conversion and humanity -perspective, the paper analyzed the alteration and the changes in the process of adapting the humanitarian from the＂Bottom＂to＂Nightclub＂.

关 键 词：高尔基 师陀 柯灵 《底层》 《夜店》 人道主义 

分 类 号：I106.3-03[文学—世界文学]