中国武术审美现代性及其批判  

Chinese Wushu ' s Aesthetic Modernity and Its Critique

作　　者：马文友[1] 

机构地区：[1]东南大学艺术学博士后流动站,江苏南京210096

出　　处：《上海体育学院学报》2015年第4期37-40,45,共5页Journal of Shanghai University of Sport

基　　金：国家社会科学基金资助青年项目(12CTY002);中国博士后科学基金资助项目(2014M551482);江苏省博士后科研资助项目(1302066B)

摘　　要：采用文献资料、比较分析、专家访谈等研究方法,对新媒介-视觉文化语境下武术的审美现代性进行研究。认为:当代武术的艺术化、商业化、消费化现象是武术审美现代性的结果,是对于武术现代性的一种"应激"反应;针对武术的审美现代性,应保持理性的批判精神,强调武术的人文价值,注重其在武术中的渗透,促进武术的健康发展与生态稳定。This paper, by the comparative analysis and expert methods of literature review, interview, studied the aesthetic modernity of Chinese Wushu in the context of new media-visual culture. It states that the aesthetic modernity of Wushu inevitably results from the artistic-commercial-consumptive orientation for contemporary Wushu, which is a kind of ＂stress＂ reaction to Wushu＇ s modernity. On the other hand, however, we should possess an appropriate critique spirit and emphasize Wushu＇ s humanistic value and its permeability in a variety of new styles of Wushu, so that it can benefit Wushu＇ s healthy development and ecological stability.

关 键 词：武术 审美现代性 艺术化 消费化 批判 

分 类 号：G852[文化科学—民族体育]