关于电影创作中“彩蛋”运用的若干思考  

Previous and Present Forms of Painted Eggshell in Film

作　　者：尹鸿[1] 李天语[1] 

机构地区：[1]清华大学新闻与传播学院,北京100084

出　　处：《艺术百家》2015年第4期89-93,共5页Hundred Schools In Arts

摘　　要：近年来,许多影片中频繁出现电影"彩蛋"现象,并逐渐成为电影圈内的潮流与时尚。电影"彩蛋"来源于西方复活节"找彩蛋"的游戏,这种游戏慢慢被移植到电影之中,从而演进出了电影"彩蛋"。电影"彩蛋"是指在影片的片头、片尾以及片中,由导演独具匠心地加入了"作料式"的画面与情节,在给观众带来惊喜的同时又使得他们觉得"意犹未尽",从而扩大了影片的信息量,强化了影片的传播效果。文章较为系统地介绍了电影"彩蛋"的方方面面,并对电影"彩蛋"现象存在的一些问题提出了建议。In recent years, there is a ＂painted eggshell＂ phenomenon appearing in many films, and this gradually be- comes a fashion in the circle of film. ＂Painted eggshell＂ in film derives from the game of searching for painted eggshell in Western Easter, and it refers to images and plots uniquely designed for bringing the surprise to the audiences, so as to expand the information amount of film and intensify the transmission effect of film. In this paper, I relatively system- atically introduce almost every aspect of film painted eggshell and propose suggestive opinions about the problem of it.

关 键 词：电影艺术 艺术创作 电影“彩蛋” 创作手法 电影文化 电影传播 

分 类 号：J90[艺术—电影电视艺术]