后现代电影的叙事转身  

Narrative Turn:Back of Postmodern Film

作　　者：蓝凡[1] 

机构地区：[1]上海大学影视艺术技术学院,上海200072

出　　处：《艺术百家》2015年第4期94-103,共10页Hundred Schools In Arts

基　　金：上海市高等教育内涵建设"085工程"子课题"影视媒体与都市文化建设"阶段性成果之一

摘　　要：后现代世纪转身的逻辑,是一种不确定的解构逻辑。作为后现代电影的不确定中的解构,其本质是对传统叙事的解构:它既是故事意义的不确定,又是叙事技巧的不确定。后现代电影的解构主题,主要集中在这样四个部分:人类生存信息的解构与虚拟、社会英雄模式的推翻与反拨、两性情感原则的消解与困惑、社会结构秩序的颠覆与彷徨。就这种意义上说,后现代的批判精神是值得期盼的——它不需要引经据典和拿着刻度尺来衡量事物,而是从一个多维的角度来看待世界万物,甚至包括世界本身。所以,后现代追求大众化、多元化和差异化,推崇反传统性的人性化,真正排斥的是走极端路向的强烈个人风格与色彩。后现代的关键词——颠覆传统、冲击规范、肢解权利、否定偶像,在某种意义上,也就是对这种不确定性的"描述"。The logic of century turn - back of postmodernism is uncertain deconstruction logic, and it actually is a de- construction of traditional narration, and its uncertainty both refers to the significance of story and narrative techniques as well. The deconstruction theme of postmodern film mainly are four parts listed as below： the deconstruction of the human existential information, the overturn of social hero mode, the puzzlement of emotional principle between the male and female, and the subversion of social structure and order. Upon this point, the critical spirit of postmodern- ism is worthy of expecting, since it does not need to measure a thing with dividing rule, yet, it treats the world from a multi -dimensional perspective. Therefore, postmodernism pursues popularity, pluralism, and differentiation, and it advocates anti -traditional humanization, and it actually repels extremely strong and individual style and color. Its key words such as subverting tradition, shocking norms, dismembering right, and denying idol to some extent is a description of such uncertainty.

关 键 词：电影艺术 电影作品 后现代电影 不确定性 解构逻辑 颠覆传统 

分 类 号：J90[艺术—电影电视艺术]