论中西喜剧意识的审美风格  

On the Aesthetic Styles of the Comedic Consciousness Between the West and China

作　　者：马小朝[1] 

机构地区：[1]烟台大学人文学院,山东烟台264005

出　　处：《东方论坛（青岛大学学报）》2015年第4期42-48,共7页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

基　　金：山东省社会科学规划研究重点项目"比较研究中西喜剧意识的审美意蕴"(批准号:12BWXJ04)

摘　　要：中西喜剧意识因为具有不同的审美本质、审美特征,所以也具有不同的审美风格。概括而言,中西喜剧意识的审美风格主要表现为戏谑自嘲与讽刺批判、轻松释放的诙谐与抑圣为狂的苦涩。Because the aesthetic nature and features of the comedic consciousness are different in Western and Chinese literature, the aesthetic styles also differ. In general, Western comedic consciousness mainly shows the deep self-mock and light- hearted humor while the Chinese comedic sense mainly shows criticism with satire and bitterness derived from transforming reasonable thoughts into dissolute words and actions.

关 键 词：戏谑自嘲 讽刺批判 轻松释放 诙谐 抑圣为狂 苦涩 

分 类 号：I106[文学—世界文学]