隐性的创新——谈库塔克创作技法的继承与延伸式创新  

Recessive Creation——On Kurtág Inheritance of Creative Techniques and Extending Innovation

作　　者：王鹏[1] 

机构地区：[1]天津音乐学院

出　　处：《黄钟（武汉音乐学院学报）》2015年第2期43-54,64,共13页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金："天津市高等学校人文社会科学研究(一般)项目"(项目编号为20142318)成果

摘　　要：文章试摘取库塔克不同时期、不同编制的几部室内乐作品,通过对其分析与梳理,看库塔克在创作的技术运用中的借鉴,以及在此基础上的延伸式创新。具体如对巴托克"对称"技术的借鉴运用,以及作曲家偏爱的半音阶、"裁截音程"等技术。这些技术的运用并非"激进"的革新,却同样具有创新性与启发性。Through analysis and sorted out several chamber music works by Kurt a g composed in different periods and with different establishment, this paper explored Kurt d g using reference in creative techniques, and based on it to extending innovation. Such as reference using Bart a k＇ s technique of ＂symmetry＂, as well as the composer＇s favored chromatic scale, ＂interval of cut interception＂ and other techniques, even those usage of techniques were not ＂radical＂ innovation, but also possessed innovation and the thought-provoking.

关 键 词：库塔克 作曲技法 对称技术 半音阶 裁截音程 

分 类 号：J614.1[艺术—音乐]