朝鲜朝汉文讽刺小说的主题意蕴研究——兼论与儒家文化之关联  

Research on the Subjects of Satiric Novels in Chinese Characters during Choson Dynasty——A discussion of the correlation to Confucian culture

作　　者：孙惠欣[1] 杜小兰[1] 

机构地区：[1]延边大学人文社会科学学院,吉林延吉133002

出　　处：《延边大学学报（社会科学版）》2015年第5期37-45,共9页Journal of Yanbian University：Social Science Edition

基　　金：2012年度国家社会科学基金项目(12BWW020);新世纪优秀人才支持计划资助(NECT-13-0992)

摘　　要：朝鲜朝时期,尤其是朝鲜朝中后期,是古代朝鲜社会政治、经济、文化的大转型时期。这一时期在人性复苏和作家主体创作意识觉醒之下,汉文讽刺小说呈现出多样化的主题,两班腐儒的丑态、实学兴国的理想矛盾、性意识的"超我"与"本我"等,深刻揭示出社会转型时期朝鲜朝的样貌。而这些主题的阐释有着明显的儒家文化印记,从儒家文化的角度,对朝鲜朝汉文讽刺类小说文本中所呈现的三纲五常思想对人性的异化、性理学的弊病以及实学对性理学的冲击等加以剖析,可以展现出朝鲜朝时期的社会精神文化心理之变化,可以照见儒家文化发展历程在古代朝鲜社会的变迁及其产生的影响,也可以从文化心理角度窥见朝鲜与中国古代的文化交流盛况。Ancient Korea had experienced great social transformations during the Choson Dynasty.With the revival of humanity and the awakening of subjectivity,satiric novels in Chinese characters began to present various subjects such as the disgraceful manners of bureaucrats,the social conflicts of nation rejuvenation through the Real Learning,the ideas of ＂super-self＂and ＂self＂in sex consciousness.The exploration of the humanity alienation caused by the feudal moral principles,drawbacks of neo-Confucianism as well as the impact of Real Learning in these novels will demonstrate the influences of Confucianism on the social changes in ancient Korea and the cultural exchange between China and Korea from the angle of cultural psychology.

关 键 词：朝鲜朝 汉文讽刺小说 主题 儒家文化 

分 类 号：I312.074[文学—其他各国文学]