后经典叙事学的“范畴”及其体系构建  

“Category” and the Construction of Its System in Post-Classical Narratology

作　　者：李昕[1] 张万敏[1] 

机构地区：[1]长春师范大学外语学院,吉林长春130031

出　　处：《理论界》2015年第9期112-117,125,共7页Theory Horizon

基　　金：2013年吉林省教育厅重大课题(吉教科文合字[2013]第215号);吉林省社会科学基金项目(2013B331);2015年吉林省教育厅一般项目(吉教科文合字[2015]第259号)的研究成果

摘　　要："范畴"一词在后经典叙事学的讨论中频繁出现,但对于其涵义,研究者们并没有形成一致的观点,在使用中也存在语义混淆或混乱的情形。本文在追溯"范畴"一词的西学本源和中文语义的前提下,以新的角度界定了范畴近"类"、"概念"、"域"等三个层面的涵义,梳理了后经典叙事学中范畴的语义种种,最终提出后经典叙事学范畴体系的构建应围绕元范畴、次属元范畴、核心范畴和基本范畴等构成的动态的、立体的层级系统展开。Category is a recurnng term in various discussions on Post-classical Narratology.As to the exact connotation of ＂category＂, however, scholars working within outside of the scope of narratology have reached no consensus. The thesis first traces western ＂ category＂ to its Greek origin and its Chinese translation to ancient Chinese classics.Such a source-seeking research brings the conclusion that ＂category＂ has in its senses a blending of the meanings of ＂class＂ ＂conception＂ and ＂domain＂ .It further analyses the use of the word ＂category＂ in Narratology in various Chinese academic works and finally proposes a dynamic and cubic system of categories with meta-categories, sub-metacategodes, core categories and basic categories as its different layers.

关 键 词：后经典叙事学 范畴 范畴体系 

分 类 号：J0[艺术—艺术理论]