追问生命的精神图腾——重读张承志《北方的河》  

An Inquiry into the Spirit Totem of Life: Re-reading "The River in the North" by Zhang Chengzhi

作　　者：李家富[1] 陈俐[1] 

机构地区：[1]昭通学院人文学院,云南昭通657000

出　　处：《科教文汇》2015年第25期144-145,共2页Journal of Science and Education

摘　　要：30年来,学界对张承志《北方的河》的审美消费,往往聚焦于"黄河"这一华夏文明最为传统的精神文化意象,而淡化了对其他几条大河的解构与重构。整体意象观照下的《北方的河》:黄河、湟水、永定河、黑龙江……深刻地诠释了当代社会变革时期"我"的生命诉求与精神图腾。In the past three decades, the aesthetic consumption of＂The River in the North＂by Zhang Chengzhi mainly focused on＂the Yellow River＂as the most traditional spiritual culture image for the Chinese civilization, downplaying the deconstruction and reconstruction of other great rivers.＂The River in the North＂un-der the context of overall image includes the Yellow River, Huang River, Yongding River, the Heilongjiang River and so on. They all interpret＂my＂inquiry into life and spirit totem in contempo-rary social transformation period.

关 键 词：《北方的河》 追问生命 整体意象 精神图腾 

分 类 号：I206.7[文学—中国文学]