图像的仿真美学与文学的虚拟叙事——以“上海怀旧”书写为例  

Simulation Aesthetics of Image and Virtual Narrative of Literature——Illustrated by the Case of the Novels of the Nostalgia for Shanghai

作　　者：赵晓芳[1] 

机构地区：[1]湖北第二师范学院文学院,武汉430205

出　　处：《湖北第二师范学院学报》2015年第7期1-5,共5页Journal of Hubei University of Education

基　　金：2014年度教育部人文社科青年项目(14YJCZH220)

摘　　要：图像文化以失去"原本"的虚幻"类像"带给人"超真实"的体验,这种仿真美学对文学的渗透,导致了以审美幻象营造真实氛围的历史怀旧类虚拟叙事的流行。以程乃珊、陈丹燕为代表的"上海怀旧"书写通过重温、复现三、四十年代的"老上海"历史风貌制造上海的都市"镜像",以满足新兴中产阶级的文化认同心理和时尚怀旧情绪,从而假借历史怀旧而消费历史。其叙事策略是通过层层筛选和过滤,以亲临现场或以图为证的方式制造"老上海"的审美幻象。The simulation aesthetics which brings people super-real feeling by producing many illusive simulations infiltrating into literature has brought about the prevalence of virtual narrative in ＂nostalgia for Shanghai. ＂ Take Cheng Naishan and Chen Danyan for example. They describe the mirror image of Shanghai City by means of reappearing the style and features of the 1930s-Shanghai to meet the rising narrative strategy is to arrive at the historical site or use and filtration. bourgeoisie＇ s culture-identity and reminiscent mood. The old photos to build the scene and feeling after selection

关 键 词：图像文化 仿真美学 “上海怀旧” 虚拟叙事 

分 类 号：I206.7[文学—中国文学]