左拉的“白日梦”——以《泰蕾丝·拉甘》为例  

On Zola's Daydream——Taking Therese Raquin as an Example

作　　者：张婵婵[1] 

机构地区：[1]青海民族大学文学与新闻传播学院,青海西宁810007

出　　处：《信阳农林学院学报》2015年第3期74-76,共3页Journal of Xinyang Agriculture and Forestry University

摘　　要：《泰蕾丝·拉甘》是左拉创作倾向发生转变后的一部作品。在这部作品中左拉第一次将生理分析引入了文学,并且注意生理和病理现象在文中的应用。20世纪西方心理分析学家弗洛伊德的精神分析学观点使文学作品的分析另辟蹊径,本文意在运用精神心理分析学来分析作者欲望在作品中的升华,主要是左拉本人的成功欲和创作贪欲在《泰蕾丝·拉甘》这部作品中的升华。Therese Raquin is the work of Zola after his change of creation tendency.In this work, Zola firstly introduced the physiologi-cal analysis to the literature, and the physiological and pathological phenomena in the paper were also introduced.In 20th century the western psychoanalyst Sigmund Freud＇s spiritual analysis theory opened a new path for the analysis of literary works.This paper intend-ed to use psychological analysis to analyze Zola’ s sublimation of desire in Therese Raquin, especially the sublimation of successful de-sire and the greed of creation.

关 键 词：《泰蕾丝· 拉甘》 人物的精神分析 成功欲 本能升华论 

分 类 号：I106.4[文学—世界文学]