论禅宗对中国现代派诗歌的影响  

On the Influence of Dhyana over China Modern School's Poems

作　　者：王雅平[1] 

机构地区：[1]湖南理工学院中国语言文学学院,湖南岳阳414000

出　　处：《湖南科技大学学报（社会科学版）》2015年第3期145-149,共5页Journal of Hunan University of Science and Technology(Social Science Edition)

摘　　要：20世纪30年代的中国现代派诗歌深受佛禅文化影响。首先,佛禅文化提供了诗人独特的思维方式,即不假思索、不立文字而代之以直觉、象喻、顿悟,这与西方现代派诗歌崇尚象征、隐喻一理相通。其次,佛禅文化造就了诗人独特的世界观、人生观,即万法皆空、一切随缘,如卞之琳诗歌的"理智之美"所示。最后,佛禅文化借以展开的经典意象也为诗人大量化用,如日、月、灯、火、水等,具有哲理开悟和审美愉悦的双重品格。China Modern School＇s poems in the 1930s have been profoundly influenced by dhyana culture. Firstly, dhyana culture has provided the poets with unique ways of thinking, i.e. with no hesitation and with no words, but with intuition, imagery and insights, all of which have been connected with the Western Modern School＇s poems that lay emphasis on symbolization and metaphor. Secondly, dhyana culture has brought up the poets with a special outlook on the world and on life, i.e. everything is empty, and everything depends on the destiny that ties people together, which has shown in Bain Zhilin＇s poem The Beauty of Intellect. Finally, the poets has widely used the classical images of dhyana culture, i.e. sun, moon, light, fire, water, etc. , which are of philosophical insight and aesthetic pleasure.

关 键 词：诗歌 现代派 禅思 禅理 禅意象 

分 类 号：I22[文学—中国文学]