李梦阳、王世贞复古“和而不同”摭谈  

Similarities and differences in Li Mengyang's and Wang Shizhen's revival of the ancient classics

作　　者：魏宏远[1] 

机构地区：[1]兰州大学,兰州730000

出　　处：《云南大学学报（社会科学版）》2015年第5期86-92,112,共7页The Journal of Yunnan University:Social Sciences Edition

基　　金：兰州大学2012年中央高校基本科研业务项目(人文社科类)(项目号:12LZUJBWYB006);国家社科基金重大招标项目"<王世贞全集>整理与研究"(项目号:12&ZD159)"阶段性研究成果

摘　　要：李梦阳崇儒排佛,倡导复古运动,希冀通过复"古文"以掌控"文权",进而复"古道"以达"三代之治",为此强调文学的政治诉求。王世贞早年也尊崇儒家思想,然晚年仕途受挫,转慕佛老,扬释道抑儒。信仰的转变使王世贞晚年改变了对"文权"的诉求,提出"文章一小技,于道未为尊",放弃了以诗文干政,其晚年诗文追求内心的恬淡和闲适,风格也以"自然""自适"为宗。王世贞晚年的文学思想背离了七子派的复古精神,使七子派复古走向衰熄。Li Mengyang worshiped Confucianism rather than Buddhism and advocated the restoration movement,which aimed to possess 'literary power'through the revival of the Old Chinese,and then accomplished the reconstruction of ' the classical ways' for realizing the three- generation governance with an emphasis on the political demands of literature. Wang Shizhen respected Confucianism in his early life,but his career setback in his later life made him worship Buddhism and Taoism rather than Confucianism. The changes in faith rendered Wang Shizhen a shift in his demand of ' literary power'. Because he believed that'writing literary papers is of no importance in the state governance',he gave up involving himself in political affairs through literary creation. His later literary creation revealed a kind of cool- mindedness at leisure as well as a style of natural orientation and self- adjustment. Wang Shizhen's literary ideas in his later life were divorced from the spirit of the revival of the classics advocated by the Seven- scholar School,which led to the decline of this school.

关 键 词：李梦阳 辟佛 王世贞 崇佛 和而不同 

分 类 号：I207.62[文学—中国文学]