中国“抗战主题”电影的美学特征  

The Aesthetic Characteristics of Chinese "Anti-Japanese War Theme" Film

作　　者：蒋尧尧[1] 

机构地区：[1]辽宁大学广播影视学院,辽宁沈阳110036

出　　处：《辽宁大学学报（哲学社会科学版）》2015年第5期53-58,共6页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：辽宁省社会科学规划基金项目"纪实美学对当下中国电影创作与批评的启示"(L14DZW013);辽宁省社会科学规划基金项目"左翼电影批评及其对当下中国电影文化发展的启示"(L12DZW009);辽宁省社会科学基金重点项目"文艺人民性的创作导向研究"(L14AZW001)

摘　　要："抗战电影",即是在抗战期间为了抗战需要而创作的电影。那么,抗战电影必然具有鲜明的社会意识形态特征,表达的是中华民族的整体意志和精神向度,它的美学品格无疑是国家想象和民族政治需要。抗战电影正是以民族存亡为己任的电影界知识分子政治美学的艺术实践。抗战电影的主题就是"救亡图存",这是中华民族最大的政治。与压倒一切的"救亡图存"主题相适应的则是它所彰显的政治美学特征,影像话语权力的初建以及呈现出的纪实美学形态雏形。＇Anti-Japanese War Film＇ is created to meet the need of Anti-Japanese War during the period of Anti-Japanese War. Therefore, it is certainly that Anti-Japanese War Film has distinct characteristics of social ideology and it represents the whole will and spirit direction of Chinese nation. There is no doubt that the aesthetic characteristic of Anti-Japanese War Film is the need to the national imagination and politics. Anti-Japanese War Film is the artistic practice of political aesthetics conducted by the intellectuals in the filmdom who take national survival on themselves. The theme of Anti-Japanese War Film is to save the nation from subjugation, which is the significant politics of Chinese nation. The overwhelming theme of ＇save the nation from subjugation＇ is in accordance with its revealing of politics aesthetic characteristics, the initial establishment of images discourse power as well as the rudiment form of documentary aesthetics.

关 键 词：抗战电影 美学特征 影像话语权 纪实美学 

分 类 号：J902[艺术—电影电视艺术]