20世纪早期现代芭蕾戏剧美学初探——以佳吉列夫俄罗斯芭蕾舞团为例  

On the Drama Aesthetics of Modern Ballet in the Early 20th Century:The Case Study of Diaghilev's Ballets Russes

作　　者：张华杰[1] 

机构地区：[1]北京舞蹈学院艺术设计系,北京100081

出　　处：《北京舞蹈学院学报》2015年第4期15-19,共5页Journal of Beijing Dance Academy

摘　　要：20世纪初,俄国芭蕾正值浪漫主义时期,在内容和形式上越来越陷入僵化和死板。虽然地位上领先于世界,处于核心地位,但面临内容肤浅、新式空洞的危机,俄罗斯芭蕾迫切需要变革。1909年,由佳吉列夫发起"俄罗斯舞蹈演出季",主张保留传统民族特色,在形式上求新求变,创作了大量实验性舞蹈作品,轰动西欧。1919年成立佳吉列夫俄罗斯芭蕾舞团,舞团优秀的舞蹈家、音乐家、美术家的通力合缔造了俄罗斯芭蕾的黄金时代。本文以佳吉列夫俄罗斯芭蕾舞团的舞作创作为研究对象,以舞团经典代表作《火鸟》、《彼德鲁什卡》等剧目为例,分别对时代背景、艺术形式、创作启示和时代影响三个部分展开具体分析,从这一历史现象探讨20世纪早期俄罗斯芭蕾戏剧美学的革命。In the beginning of the 20th century, the Russian ballet experienced the romantic period, and became increasingly rigid in the both content and form despite of its core position in the world. The Russian ballet is in an urgent need of reformation due to its shallow content and empty forms. Diaghilev＇ s Ballets Russes was founded in 1909, a cluster of outstanding talented individuals including dancers, musicians and artists who created the golden age of Russian ballet. This paper exemplifies Diaghilev＇ s Ballets Russes and analyses the dance troupe＇ s classical repertoires of Firebird and Petrouchka respectively including the historical background, artistic forms, creation revelations and historical impacts, seeking to explore the aesthetic revolution of Russian ballets in the early 20th century.

关 键 词：佳吉列夫俄罗斯芭蕾舞团 福金 斯特拉文斯基 毕加索 浪漫主义芭蕾 

分 类 号：J701[艺术—舞蹈]