敦煌飞天艺术形象的舞蹈身体语言解读  

The Interpretation of Dunhuang Flying Apsaras' Dancing Body Language

作　　者：陈瑞瑞[1] 尚俊睿 

机构地区：[1]首都师范大学,北京100022 [2]国家大剧院,北京100031

出　　处：《北京舞蹈学院学报》2015年第4期20-24,共5页Journal of Beijing Dance Academy

摘　　要：本文以舞蹈身体语言和舞蹈创作理论为支点,运用舞蹈身体语言学的研究方法如拆解、整合等,对敦煌舞蹈进行简略阐述与分析。其初衷是强调坚持传统舞蹈编创的创作依据与研究方法;运用舞蹈编创理论,将理论学习与艺术实践相结合,进一步验证舞蹈身体语言和舞蹈创作理论在传统舞蹈编排过程中的重要作用,从而更好地对中国传统而古老的敦煌舞蹈艺术进行身体力行的研究与创作。The paper focuses on dancing body language and dance choreography theories, applying the research methods of disassembling and integration to the elaboration and analysis of Dunbuang dance. It intends to emphasize the choreographic basis and research methods of traditional dance creation. It further verifies the significance of applying dancing body language and dance choreography theories to the creation of traditional dance, which could be beneficial to the creation and research of China＇ s traditional and ancient Dunhuang dance art.

关 键 词：敦煌舞蹈 飞天舞蹈身体语言学 

分 类 号：J702[艺术—舞蹈]