论芭蕾舞剧《白毛女》的民族化艺术实践  

The Nationalization of Art Creation of White Haired Girl

作　　者：杨庆新 

机构地区：[1]广州市艺术学校,广州510520

出　　处：《北京舞蹈学院学报》2015年第4期62-65,共4页Journal of Beijing Dance Academy

摘　　要：中国芭蕾舞发展史上,舞剧《白毛女》在文本改编、题材创作、语言形式等方面为芭蕾民族化艺术实践作出了有益的探索,产生了不可抹煞的时代影响。自1965年,这部舞剧已经跨越半个世纪。本文以舞剧《白毛女》为研究对象,分别从舞剧题材的原型人物、舞蹈语言设计和破"旧"立"新"的时代性意义三个方面展开,结合作品实例进行分析,为中国芭蕾舞创作提供借鉴与思考,同时也借以纪念中国芭蕾舞剧《白毛女》创作五十周年。As an effort of ballet nationalization, the historical impacts of White Haired Girl on China＇ s ballet history could not be ignored. The significance of White Haired Girl＇ s adaptation of texts, theme creation and the language forms should not be obliterated either. This paper analyses the three aspects of the ballet： the prototypes, the dance vocabulary designing and the historical significance of breaking through the old and creating the new. The paper aims to provide reference and reflection for the creation of China＇ s ballet, as well as summaries textually for the 50th anniversary of the ballet＇ s oremiere.

关 键 词：中国芭蕾 《白毛女》 人物 动作 调度 

分 类 号：J723.1[艺术—舞蹈]