从戏曲《拾玉镯》看中国古典舞女性表演形态的塑造  

The Shaping of Female Performing Forms of Chinese Classical Dance:Staring with the Old,the Middle-aged,and the Young

作　　者：蔡梦娜 

机构地区：[1]北京歌舞剧院,北京100022

出　　处：《北京舞蹈学院学报》2015年第4期70-74,共5页Journal of Beijing Dance Academy

摘　　要：中国古典舞身韵教学的出现,标志着中国古典舞自身语言体系建设的完成,也使中国古典舞从民族文化和古典文化中以舞蹈的形态脱胎出来,形成了在课堂中的稳定形态,完成这个过渡后,我们必然将目光投向后续的延伸——表演和创作。因此,本文从体态、气息、节奏、力量与中心等特征入手,分析中国古典舞舞台表演中不同年龄阶段女性角色的塑造方法,并通过对戏曲、名家的采访进行横向比较,以思考古典舞表演中由外部形态入手的表演方法。The teaching system of body rhythm of Chinese classical dance marks the establishment of the dance language system of Chinese classical dance, and also forms the steady status of class teaching based on the national culture and tradition. It is inevitable to focus on the further development of performing and creating of Chinese classical dance. This paper mainly analyses the shaping methods of female roles of different ages in the stage performance of Chinese classical dance. The paper compares Chinese drama and Chinese traditional operas with classical dance through interviewing famous traditional opera performers, and reflects on the performing methods of external forms in the classical dance.

关 键 词：表演 体态 力量与重心 气息 节奏 

分 类 号：J712[艺术—舞蹈]