毛泽东文艺意义调度思想及其当代启示——以1942年《在延安文艺座谈会上的讲话》为中心  

Mao Zedong's Literary Meaning Generation and Its Contemporary Enlightenment: Centered on Mao Zedong's Speech at Talks at the Yan'an Forum on Literature and Art in 1942

作　　者：刘郁琪[1] 蒋林芳[1] 

机构地区：[1]湖南科技大学人文学院,湖南湘潭411201

出　　处：《湖南科技大学学报（社会科学版）》2015年第5期9-14,共6页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省教育厅科学研究优秀青年项目(14B069);湖南省社科基金项目(2010YBA099);教育部人文社科基金项目(10YJCZH098)

摘　　要：毛泽东《讲话》具有丰富而明确的文艺意义调度思想。从文学为政治服务的功利主义观念出发,强调政治标准第一并以社会效果来反向规范、调整文学创作,为革命文艺的意义生产提供了一条极具可操作性的外部路径。对人性和阶级性两个概念内涵的重新解释,对歌颂和暴露问题的辩证阐述,则从文本内部为革命文艺的意义生产确定了最基本的价值轴线和价值意向呈示机制。Mao Zedong＇s Talks at the Yan＇an Forum on Literature and Art has an enriched and clear literary meaning generation. From the perspective of utilitarianism that literature shall serve for the political purposes, it emphasizes that the politics is the first standard, so as to use the social effects to reverse the norms, adjust the literary creation, and provide a maneuverable exterior route for the meaning production of revolutionary literature and art. Both the new interpretation of the human nature and the class character, and the dialectical explanation for extolling the good and exposing the problems have set up a most fundamental value dimension and value presentation mechanism for the meaning production of revolutionary literature and art.

关 键 词：毛泽东 文艺思想 意义调度 功利主义 人性 阶级性 

分 类 号：A84[哲学宗教—马克思主义哲学]