析中音长号《降B大调协奏曲》的不同演绎  

An Analysis of Different Performances of Concerto in B Flat Major for Alto Trombones

作　　者：李今鹏[1] 

机构地区：[1]天津音乐学院,天津300000

出　　处：《吉林艺术学院学报》2015年第3期14-18,共5页Journal of Jilin University of Arts

摘　　要：在当今世界,能够高品质演奏中音长号的演奏家并不多见,我们对中音长号的了解以及相关作品的演奏风格及演奏特点知之甚少。但随着当代音乐家对十八世纪长号作品演奏风格、声音追求、技术特点更加严谨,使得中音长号的演奏以及教学又被重新的重视起来。本文将比较分析三位世界著名的长号演奏家,通过他们分析作品的题材,作品创作的年代,曲式的结构掌握作品的风格,运用自身独有的演奏技巧和创新的特点演奏出独一无二的音乐风格,并表达出对这些音乐作品不同的理解。Nowadays, it is rare for a concert performer to play high-quality music with alto trombones. Little is known about the related works and performing characteristics of the alto trombones. But with the more rigorous attitude of contemporary musicians towards the performing style, voice pursuit, and technical feature of trombone works in 18th century, the performance and teaching of alto trombones have been renewed attention. The paper does a comparative study among three world famous trombonists, analyzing their work theme and age, understanding the style through musical form structure, using the unique skills and innovative features to perform distinctive musical style, and expressing different understanding of those musical works.

关 键 词：中音长号 演奏风格 装饰音 作品分析 

分 类 号：J621.7[艺术—音乐]