东北文化与当代东北民间文艺的互动关系——以东丰农民画为例  

The Interactive Relationship between Northeast Culture and Contemporary Northeast Folk Literature and Art——Taking Dongfeng Peasant Paintings as an Example

作　　者：周青民[1] 李秀云[1] 

机构地区：[1]吉林师范大学文学院,吉林四平136000

出　　处：《吉林艺术学院学报》2015年第3期19-22,共4页Journal of Jilin University of Arts

基　　金：吉林省社会科学基金项目"地域文化对当代东北民间文艺的影响研究"(2014B144);四平市社会科学基金项目"东北文化对当代东北民间文艺的影响研究"(201440)阶段性成果

摘　　要：东北文化规范着人们的审美意识和思维方式,影响着民间文艺的内容选择,也塑造着民间文艺独特的气韵与风骨。同时,东北民间文艺为地域文化向积极方向的衍变与发展起到了非常重要的推动作用,在提升和凝练俗文化中的优秀成分方面做出努力。二者在相互碰撞中都各自得到了品性的提升。从辽源东丰农民画这个典型个案中能够看出,民间文艺与地域文化之间如果存在着健康的互动关系,那么二者都将走向丰富与坚实,这也是当代东北民间文艺在发展中应该坚守的一个重要方向。The northeast culture, which regulates people＇s aesthetic consciousness and way of thinking, has affected the content choice of folk literature and art, and shaped its unique charm and character. At the same time, the northeast folk literature and art promotes regional culture to the direction of positive evolution and development, making efforts to upgrade and refine the outstanding part of folk culture. Both have enhanced their own character during the interaction. From the case of Dongfeng peasant paintings, if there exists a healthy interaction between folk literature and regional culture, then both will become abundant and firm, which is an important development direction of contemporary northeast folk literature and art.

关 键 词：东北文化 东北民间文艺 东丰 农民画 互动 

分 类 号：K892.24[历史地理—民俗学]