无声调藏语的习惯音高和有声调藏语的连读变调  

The Pitch Pattern in Tibetan Without Tone and The Tone Sandhi in Tibetan Having Tone

作　　者：徐世梁[1] 

机构地区：[1]南京大学文学院,南京210023

出　　处：《语言研究》2015年第4期123-126,共4页Studies in Language and Linguistics

基　　金：江苏省社会科学基金项目"汉藏历史比较语言学研究范式的总结和探索"(14YYC003);江苏省教育厅高校哲学社会科学研究基金项目"上古汉语与藏语比较研究"(2011SJD740003)

摘　　要：有声调藏语一般都有连读变调,而且类型比较一致,多音节词一般都符合"前不降后不低"的模式。无声调藏语词汇一般都有一种习惯音高模式,多音节词多为"前低后高"模式。无声调藏语这种多音节词的习惯音高模式很可能是有声调藏语中多音节词连读音高模式的基础。Tibetan having tone generally have tone sandhi, and different dialects have the same type, that pitch of multi-syllabic words always is unfall in front syllable and unlow in back syllable. Tibetan Without Tone generally have a kind of fixed-pattem, that pitch of the most multi-syllabic words is tow in front syllable and high in back syllable. And this kind of fixed-pattern is likely to be the base of the tone sandhi in Tibetan having tone.

关 键 词：藏语 声调 连读变调 习惯音高 

分 类 号：H214[语言文字—少数民族语言]