白马藏族“猴玃抢婚”型故事及其文化内涵——以陇南白马藏族故事《猴子抢姑娘》为中心  

On the Story of "Monkey Snatching" and its Cultural Connotation in Baima Tibetan——With the Center of " The Monkey Snatching Girls" in Baima Tibetan

作　　者：杨军[1] 蒲向明[1] 

机构地区：[1]陇南师范高等专科学校文史学院,甘肃成县742500

出　　处：《西安石油大学学报（社会科学版）》2015年第5期80-84,共5页Journal of Xi’an Shiyou University:Social Science Edition

基　　金：国家社会科学基金项目(11XZW023);甘肃省高等学校研究生导师科研项目(1128A-01);陇南师范高等专科学校科研项目(2014LSSK02008)

摘　　要：中国文学"异类婚媾"民间故事以"猴玃抢婚"型为代表,该型故事源出白马藏族,与其种族起源和图腾崇拜关系密切。今存白马藏族民间故事《猴子抢姑娘》为现存"猴玃抢婚"型故事的口传文化"标本",其在内容上保留有白马藏族原始图腾和自然信仰的族群记忆等诸多文化孑遗。该"猴玃抢婚"型故事反映了早期白马藏族社会存在着的"抢夺婚"习俗和异类婚现象,既是远古抢婚习俗的"活化石",又是不同族群间婚姻文化相互影响和相互渗透的重要见证。＂ The Monkey Snatching＂ is the typical representative of folk stories ＂ Heterogeneous Marriage＂ in Chinese literature,which originates from Baima Tibetan,and is closely related to its ethnic origin and totem worship. The existing story ＂ The Monkey Snatching Girls＂ was oral culture ＂ specimen＂,which has retained many kinds of culture relics in the contents such as the primitive totem of Baima Tibetan and the ethnic memory of natural religion. The story ＂ The Monkey Snatching Girl＂ reflects the early social existence of the ＂Snatching Marriag＂ custom and heterogeneous phenomenon of marriage,which not only becomes a ＂ living fossil＂ of the ancient marriage snatching custom,but also turns into an important witness for the interaction and mutual penetration of marriage culture between different ethnic groups.

关 键 词：白马藏族 “猴玃抢婚” 图腾崇拜 民俗记忆 抢夺婚 

分 类 号：I207.41[文学—中国文学]