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作 者:闵定庆[1]
机构地区:[1]华南师范大学文学院
出 处:《华南师范大学学报(社会科学版)》2015年第4期153-160,192,共8页Journal of South China Normal University:Social Science Edition
摘 要:饶锷先生一直是在家乡潮州展开其诗学活动的,在努力继承传统诗学的同时也参与建构了潮州诗坛"基层写作"的诗学氛围。饶锷面对近代社会转型,试图通过研治"新国学"回归中国文化本体论,以对抗西方文明。他将"诗"视为"新国学"知识体系中的一个有机组成部份,认同"不平则鸣"的有为创作论和"各由其性而就于道"的个性化表达,从"诗史"即"心史"的立场出发,重构诗歌反映现实社会的艺术表达方式。他推进诗学经典的当代阐述与创作实践的互动,期望涌现更多更优秀的诗作。饶锷的诗学观念,实际上体现了近代文化守成主义"返古开新"的方法论,具有明显的近代性与过渡性特征。Mr.RAO E has been developing his poetic activities in his hometown,Chaozhou.who made great efforts to inherit the traditional poetics and also participate in the construction of poetic atmosphere which focuses on the 'grass-roots writing' in poetry circles of Chaozhou.In the face of modern social transformation,Mr.RAO E tried to return to ontology of Chinese culture in order to fight against western civilization through research on 'New Chinese Classics learning'.He held the view that poetics is an Organic Part of 'New Chinese Classics learning',identified with the points that 'injustice provokes outcry' which supported meaningful creation and the individual expression that 'Tao means faithfulness to each disposition',reconstructed the artistic expressive way that poetry can reflect the social reality on the standpoint that 'poetic history' is 'mental history'.He promoted the mutual influence between contemporary explanation of classical works on poetic and creation practice poetics that are expected to produce more and more excellent poems.In fact,Mr.RAO E' s poetic conception reflected the cultural conservatism methods which try to exploite new area of Chinese classical learning based on restoring ancient ways,which has possessed obviously modern nature and transitional Characteristics.
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