宋代美学视野中的杜甫观  

Opinion of DU Fu in aesthetic field of Song dynasty

作　　者：梁桂芳[1] 

机构地区：[1]福州大学人文社会科学学院,福建福州350108

出　　处：《长安大学学报（社会科学版）》2015年第4期119-124,共6页Journal of Chang'an University(Social Science Edition)

基　　金：教育部人文社会科学规划基金项目(10YJCZH080);福建省社会科学规划项目(2011B139)

摘　　要：由唐入宋,中国传统审美文化发生了巨大转变。在这一背景下,宋代美学以自己的独特视角重新解读了杜甫:将其刚健的人格精神和诗学风貌沉潜为整个时代的美学底蕴;以其沉郁气质约束自我重塑了一个老朴、平淡而不乏典雅的老杜形象,随着时代的发展,杜诗的世俗化倾向也得到进一步发扬。这些貌似不相协调的侧面有机融合为一个整体,折射出了宋代美学的绚烂多姿。两宋美学对杜甫的多层面接受,是在时代文化制约下一种合理的再"发明"。Chinese traditional aesthetic culture had undergone tremendous changes during the transitional period from Tang dynasty to Song dynasty. The aesthetes of Song dynasty reinterpreted Du Fu from a unique perspective： The virile personality spirit and poetic style of Du Fu became the aesthetic gist of the whole time; He with gloomy temperament was reshaped as an old,simple and elegant man. With the development of the times,the secular trend of Du Fu＇s poetry was also further carried forward. These seemingly disharmonious sides were integrated into a whole organically,reflecting the brilliant and colorful aesthetics of Song dynasty. The multi-dimensition acceptance of Du Fu by the aesthetics of the two Song dynasties was a reasonable reinvention restricted by the times and culture.

关 键 词：宋代 美学 尊杜传统 杜甫 

分 类 号：I207.22[文学—中国文学]