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作 者:郑荣健
机构地区:[1]中国艺术报社
出 处:《民族艺术研究》2015年第5期59-64,共6页Ethnic Art Studies
摘 要:戏曲的"继承与创新"长期、持续地聚讼不断,以致"如何继承与创新"反而陷入尴尬的构建缺失之中。很大程度上,这与戏曲缺乏系统化的美学标准、缺乏可供动态实践的方法论有关。文章试图结合当代戏曲面临的困境,从戏曲生成、生长、成熟的历史脉络中,梳理它与社会生活互动的逻辑关系。The "inheritance and innovation" of Chinese which has negatively led to the lack of construction as to traditional opera has long been heatedly debated, the question of how to inherit and innovate Chinese opera. And this problem can be largely attributed to the lack of systematic aesthetic standards of Chinese op- era and lack of methodology that can be applied in dynamic practice. The paper considers the dilemma faced by contemporary Chinese opera and tries to figure out its interactive logical relation with social life, out the history of the formation, growth and maturity of Chinese ooera. through
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