西方音乐图像学的发展历史及国内外音乐舞蹈图像研究现状述评  

The Developing History of Music Iconology in the West and a Review of the Status Quo of Music and Dance Iconography in China and Abroad

作　　者：王玲[1] 

机构地区：[1]云南大学外国语学院

出　　处：《民族艺术研究》2015年第5期92-101,共10页Ethnic Art Studies

基　　金：云南大学首批"青年英才培育计划"资助;云南省第十三批中青年学术和技术带头人后备人才(项目编号2010CI024)素质培养费资助;2009年度云南省哲学社会科学规划一般课题"云南民族音乐图像资源的保护;利用与开发研究"(课题编号YB2009050;结项证书号2014122)成果;2010年度国家社会科学基金一般项目"中国西南民族音乐图像文化保护与资源开发研究"(项目编号10BMZ031)成果

摘　　要：欧美各国率先挖掘和整理音乐图像,揭示其深层文化艺术意蕴,以艺术史学的方法综合研究音乐舞蹈史。音乐图像学在艺术史学、考古学、音乐学其他相关学科的促进下有了新发展。关注与其他学科、与世界各民族音乐文化的交流,是当前国际音乐图像研究的新动向。音乐图像研究的一些基本方法在我国学界已经历长期实践。鉴于中国音乐图像研究最新成果,既可见其正发展壮大,也发现有待提升的空间,研究方法和范式亟待与国际学术界接轨。有必要建立具有中国特色的"中国音乐图像学"理论体系,以期使中国音乐舞蹈图像研究逐步纳入有计划、步骤、主体意识、学科理念和规范的渠道。Western countries took the lead in exploring and sorting out music images to reveal their underlying cultural and artistic implications and to study music and dance history comprehensively with the methods of art history studies. Music iconology has shown new development with the promotion of art history studies, archaeology, musicology and other related disciplines. The focus on the exchanges with other disciplines and with the music cultures of various ethnic groups in the world is a new trend of contemporary international music iconography. Some basic methods of music iconography have long been practiced in China＇s academic circles Considering the latest achievements of China＇s music iconography, we can see that it is not only developing but also in need of improvement, and that its research methods and paradigms urgently need to be geared to international standards. It is necessary to establish a theoretical system of China＇s music iconology with Chinese characteristics in order to gradually direct China＇s music and dance iconography into the orbit of having plans, procedures, subject consciousness, and disciplinary concepts and norms.

关 键 词：音乐舞蹈图像 音乐图像研究 音乐图像学 艺术史学 视觉化 

分 类 号：J605[艺术—音乐]