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作 者:何水英[1]
出 处:《山西师大学报(社会科学版)》2015年第4期98-103,共6页Journal of Shanxi Normal University(Social Science Edition)
基 金:教育部人文社科研究青年基金项目(14YJC751010);凯里学院古代文学教学团队成果(JXTD201202)
摘 要:宋初官修总集《文苑英华》有指导创作的目的,其诗类目重视诗题与题材的契合,先定类后选诗,体现出编纂者对诗歌创作引导的意识。依据《文苑英华》诗类设置,对宋初诗歌进行题材归类考察可以看出,《文苑英华》诗类批评效能并不强,出现了选本编纂的引导意向与实际创作偏离的现象。《文苑英华》本身的批评机制、传播途径的限制及诗歌创作的时代背景影响,都制约其批评效能的发挥,也使此后的分体编录型总集在诗类编纂上出现转变。In the early Song Dynasty, officials anthologized Wenyuanyinghua to guide the poetry creation, attempting to fit poems with themes, which indicated compilers' intention of the poetry creation. Through investigatingtheme classification of poetry in Early Song Dynasty by themes in Wenyuanyinghua, we can see that the critical efficacy of Wenyuanyinghua is not strong and the actual poetry creations deviated from intention of the anthology compilation. The criticism mechanism of Wenyuanyinghua constraints on route of transmission and the historical background of poetry creation restricts its influence on criticism efficacy, which caused the next split in catalog type collection to shift in compilation of poetry types.
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