论叶燮对清代中期性灵诗说的启迪  

On the Inspiration of Xie Ye's Theory for the Movement of Soul Poems in the Mid-Qing Dynasty

作　　者：曾贤兆[1] 

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《兰州大学学报（社会科学版）》2015年第5期149-155,共7页Journal of Lanzhou University（Social Sciences）

基　　金：兰州大学中央高校基本科研业务费项目"叶燮与清代前中期诗学思潮的转向"(14LZUJBWYJ009)

摘　　要：叶燮与袁枚分别是清代前、中期杰出的诗论家和诗人。叶燮《原诗》以其精湛的理论体系对诗坛流弊作了高屋建瓴的针砭,袁枚以其杰出的诗论和创作领导了席卷清代中叶的性灵诗学思潮。本文从以变为核心的文学史观,反对优劣唐宋与门户之见,"性情"与"面目"的主张,从"匠心"到"灵机"的发展,思想根基的正统性等方面,梳理袁枚对叶燮反复古主义诗论体系的接受、融通与发展,从而彰显叶燮于清代中叶性灵诗说的启迪之功。Xie Ye and Mei Yuan are renowned poetry critics and outstanding poets in the early and middle Qing dynasty respectively. In Original Poems, Xie Ye made an insightful attack on the corruption of the poetic field from a strategic height; Mei Yuan, meanwhile, initiated and led the movement of soul poems through his distinguished poetic criticism and creation, which lasted the whole Mid-Qing Dynasty. This paper has analyzed Mei Yuan＇s acceptance, integration and development of Xie Ye＇s anti-revivalism, thus highlighting its inspiration for the creation and development of soul poems in the Mid-Qing Dynasty.

关 键 词：叶燮 袁枚 性灵 

分 类 号：I206.2[文学—中国文学]