宋代古文批评中的以“简”论文  

Commenting the Prose with Simplicity in the Criticism on the Ancient Chinese Prose in the Song Dynasty

作　　者：张振谦[1] 

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《海南大学学报（人文社会科学版）》2015年第5期63-69,共7页Journal of Hainan University （Humanities & Social Sciences）

基　　金：教育部人文社会科学重大项目"宋金元文艺思想史"(11JJD750009)

摘　　要：在中国古代文论中,"简"是一个具有突出美学特征的理论范畴。以"简"论文在宋代古文批评中颇为流行,"简"的美学意蕴也因此得到了集中阐释,主要指言简意深、以少总多、简易自然诸方面。以"简"论文的出现,与宗经复古的宋学背景有关,是《易》之"乾坤易简"的宗经思想和《春秋》"简言以达旨"的春秋笔法对文学批评渗透和影响的结果。In the ancient Chinese literary theory,simplicity belongs to a theoretical category with the prominent features of aesthetics. Since commenting the prose with simplicity is rather popular in the criticism on the ancient Chinese prose in the Song Dynasty,the aesthetic implication of simplicity obtains the intensive interpretation,which mainly refers to the plain language with rich meaning,the abundant summary with the least,and the conciseness with the spontaneity and other aspects. Its appearance is related to the classic-revering and back-to-theancient background of Song learning,which reflects the penetration and effect into the literary criticism of the classic-revering ideology of the Qian-Kun simplicity in the Yi as well as the Spring-Autumn-Period technique of writing of conveying the ideas with the simple language in the Chunqiu.

关 键 词：宋代古文 “简” 繁富 “简而有法” 简易 《易》 《春秋》 

分 类 号：I206.2[文学—中国文学]