忽必烈幕府文人文化与信仰多元化对元杂剧创作的影响  

On the Influence of Literati Culture and Multi-Belief on Zaju in Yuan Dynasty

作　　者：任红敏[1] 

机构地区：[1]安阳师范学院文学院

出　　处：《戏剧（中央戏剧学院学报）》2015年第5期94-102,共9页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金"元代文学格局与走向研究"(项目编号:12BZW036);河南省社会科学规划项目"忽必烈潜邸儒士的大政规划与元代文学发展"(项目编号:2012BWX014)的阶段性成果

摘　　要：忽必烈幕府文人文化多元与多种信仰的兼收并容,必然对元杂剧的繁荣兴盛产生明显而重要的影响。政府制度开明,思想言论的相对自由,杂剧创作演出较少顾忌,为元杂剧提供了更为广阔的发展空间,使杂剧创作、杂剧演出与杂剧批评繁兴,也产生了大量对社会现实进行批判的作品。再者,潜邸文人对杂剧持欣赏态度,如刘秉忠曾写诗赞杂剧创作为"等闲章句笑翻人",姚枢的侄孙姚守中乃杂剧作家。这些均对元杂剧创作产生了很大影响,使俗文学占据了重要地位。The culture diversity and multi-belief in Kublai Khan shogun literati culture are bound to impact the prosperity of Zaju obviously and profoundly. Actually, the enlightened government system, the relative freedom of expression and thoughts and few limitation for performing left a broader space for playwriting, performing and criticizing. Therefore, a number of plays which reflected social foibles were created. Besides, some high-rank literatus such as Mr. Liu Bingzhong higly praises Zaju for its entertaining function. All of these factors contribute greatly to the prosperity of Zaju in Yuan Dynasty.

关 键 词：忽必烈幕府文人 文化多元 信仰多元 杂剧发展 

分 类 号：I207.3[文学—中国文学]