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作 者:薛春霖[1]
机构地区:[1]南京工业大学建筑学院
出 处:《华中建筑》2015年第11期26-30,共5页Huazhong Architecture
摘 要:对于19世纪的德国建筑师和理论家戈特弗里德·森佩尔来说,"风格"构成了一条梳理其丰富庞杂的建筑理论的主线。作为讨论他的风格理论的两篇文章之一,该文首先探讨了他对"风格"本体的独特认识和以及围绕其建立起来的有关建筑形式产生的理论,最后重新讨论"风格"这一术语在当下的意义、使用价值以及由其引申出来的形式与建筑设计之间的关系问题。结合森佩尔的建筑基本形式理论,它们将相对完整地展现他风格理论的基本内容。"Style" is a very important clue to understand methodically the plentiful and complicated architectural theory of Gottfried Semper, the famous German architect and theorist in 19th century. This paper as the second of two to discuss his style theory, first we focus on analyzing his unique understanding of the term "style" itself, and the theory of the architectural form coming into being which is set forth according to it. Finally, we re-discuss the modern meaning of this term, its validity in use, and the relationship between form and architectural design which is induced from it. With Semper's theory of the basic form of architecture, they will discover perfectly the primary contents of his theory of architectural style.
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